Michael Fried and Philosophy: Modernism, Intention, and Theatricality by Mathew Abbott

Download ebook for free online Michael Fried and Philosophy: Modernism, Intention, and Theatricality


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  • Michael Fried and Philosophy: Modernism, Intention, and Theatricality
  • Mathew Abbott
  • Page: 276
  • Format: pdf, ePub, mobi, fb2
  • ISBN: 9781138679801
  • Publisher: Taylor & Francis

Michael Fried and Philosophy: Modernism, Intention, and Theatricality




Download ebook for free online Michael Fried and Philosophy: Modernism, Intention, and Theatricality

Michael Fried and Philosophy: Modernism, Intention, and Theatricality by Mathew Abbott This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of Michael Fried’s art history and criticism. It demonstrates that Fried’s work on modernism, artistic intention, the ontology of art, theatricality, and anti-theatricality can throw new light on problems in and beyond philosophical aesthetics. Featuring an essay by Fried and articles from world-leading scholars, this collection engages with philosophical themes from Fried’s texts, and clarifies the relevance to his work of philosophers such as Ludwig Wittgenstein, Stanley Cavell, Morris Weitz, Elizabeth Anscombe, Arthur Danto, George Dickie, Immanuel Kant, Friedrich Schiller, G. W. F. Hegel, Arthur Schopenhauer, Friedrich Nietzsche, Denis Diderot, Maurice Merleau-Ponty, Roland Barthes, Jacques Rancière, and Søren Kierkegaard. As it makes a case for the importance of Fried for philosophy, this volume contributes to current debates in analytic and continental aesthetics, philosophy of action, philosophy of history, political philosophy, modernism studies, literary studies, and art theory.

Objecthood and the Problem of Form
ln his essay »Art and Objecthood,« written in 1967, Michael Fried . Fried's most famous predecessor might be the philosopher Hegel theatricality are at war today, not simply with modernist painting [], but with art as such,«22 is not easily understandable. Fried's intention becomes clearer, when we regard it in the  Rethinking Modernism, Somewhat – The Pinocchio Theory
Specifically, he writes about the art critic Michael Fried. In the 1960s, Fried (an inheritor and reviser of Clement Greenberg) famously wrote about art works and/ as objects, and made a fundamental distinction between “absorption” and “theatricality.” Fried's concern was to uphold the modernist tradition in  The Object in Question - Reviews In Cultural Theory
Michael Fried. Why Photography Matters as Art as Never Before. Yale University Press,. 2008. 410 pp. Michael Fried's Why Photography Matters as Art as presence” (829)—is in direct opposition to the project of modernism and, moreover, tion and the theatricality of its literal objecthood—of art photography, and it is at. Philosophy of Art Books - Page 5 - Taylor & Francis
Books in the subject of Philosophy of Art from Taylor & Francis and the Taylor & Francis Group. Amazon.com: Michael Fried and Philosophy: Modernism, Intention
Amazon.com: Michael Fried and Philosophy: Modernism, Intention, andTheatricality (Routledge Research in Aesthetics) (9781138679801): Mathew Abbott: Books. Michael Fried and Philosophy: Modernism, Intention - Amazon.de
This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of Michael Fried's art history and criticism. It demonstrates that Fried's work on modernism, artistic intention, the ontology of art, theatricality, and anti-theatricality can throw new light  Warwick | Philosophy | Academic Staff | Diarmuid Costello
'On the (So Called) Problem of Detail: Michael Fried, Roland Barthes, and Roger Scruton on Photography and Intentionality,' forthcoming in Mathew Abbott (ed.)Michael Fried and Philosophy: Modernism, Intention, and Theatricality (London: Routledge, 2018). 'Doing Justice to the Art in Photography,' in 



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